Hello, I'm from Brazil and the happy owner of a JDR 94 and a beautiful 1995 DK1 USA Custom Select, but I'm not someone who really knows Jacksons.
I saw an ad on a kind of e-bay in Latin America that seemed strange to me.
"Jackson Usa Custom San Dimas Superstrat 1987"
The serial number is 6998, but the neck plate says San Dimas.
The ad explains the following:
"Jackson San Dimas 1988 Pro Guitar Custom Shop Made in USA Jackson tuners (USA) Schaller Floating Bridge (Made in Germany) Jackson Custom Pickups (USA) mahogany body Maple neck Fingerboard in Ebony Jackson Circuit (USA) It has Malagoli pickups installed but on sale the original Jackson Humbucker USA pickups go together. It comes with a well-used original Jackson case, the case only has a lock and a small part of plastic that has dried out. Marry over 30 years old. Awesome Jackson guitar. The varnish is peeling due to being over 30 years old. The guitar is flawless. It has a unique timbre. And one of the most interesting things is that her Plate is one of the few that still has San Dimas, and at the time the guitar was produced in Ontario. Jackson/Charvel guitars moved to Ontario in the late 80's and some guitars were applied to San Dimas plates because they still had them and there was no point in throwing away the Plate. NOTE: THE PAINTING VARNISH IS COMING OUT BECAUSE OF THIS BEAUTY'S 30 YEARS OF LIFE."
Well, my DK1 has 27 years and the neck, body, frets and bridge are like new, so 30 years means nothing to me, unless it had passed bad times.
But what really concerns me is the price. Musical instruments are really expensive in Brazil. My DK1 was very under-priced due to covid19, not being a RR which is "THE Jackson" and a lot of negotiation here and I paid more than USD 3000,00. The original price was circa USD 3800,00.
The mean price for a Jackson USA in this kind of ad is USD 3500,00. This guy put a price of USD 1800,00. It seems not possible even with the painting damage...
He says he needs the money and is selling a Fender and a Gibson for low price too.
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